Early Exposure: Teaching Print Outside Higher Ed

Mary Jane Parker

About the Artist

MARY JANE PARKER’s work combines printmaking techniques with other media including drawing, encaustic painting and glass. Her work is figurative and explores themes of ritual and memory. Ms. Parker received her BFA from Louisiana State University, MA and MFA. Studio Art with Printmaking emphasis from Illinois State University. Ms. Parker’s work is part of the permanent collection of the New Orleans Museum of Art, the Ogden Museum of Southern Art, the LSU Museum of Art and the Center for Book Arts in New York and numerous private collections. Mary Jane taught for many years at the New Orleans Center for Creative Arts, a professional arts high school. She is represented in New Orleans by Arthur Roger Gallery and she is a member of the Baton Rouge Gallery.

Artist Statement

Concepts of fragility, compulsion and ritual are recurring themes in my work. I use everyday objects to tell stories. Each piece serves as a visual narrative, inviting viewers to unravel layers of meaning woven into the elements. The process, whether it is creating a laborious graphite drawing or working with glass, plays an important role in the work. Through my exploration, I am attempting to bridge the gap between the tangible and the ethereal, encouraging viewers to think about the connection between everyday items and our deeper human existence.

 

Artist:

Mary Jane Parker
Photo of artist NIcholas Ruth

Exhibition

Early Exposure: Teaching Print Outside Higher Ed

A femme presenting individual with a Bob haircut faces ¾ to the left. They are printed in pink and blue, overlapping to make purple. The two layers are comprised of pink tiny scribbles placed very closely in a grid formation. The person hands are grabbing at their chest and have a far off expression on their face.  A lime green square grid overlaps itself in the background and on top of the person, leaving part of their face and chest exposed. </p>
<p>The print has distorted squares cut out of the paper. There is a bright pink scribble behind the cut out section, and in the upper right corner.<br />

Keepsakes
Screenprint, photogravure, and digital prints
60″ x 45″
2015

A quadriptych where each piece has its own plotter cut scribble atop a white sheet of BFK. Each shape is taken from previous work and scaled up. Each Mark is comprised of various shades of Fluorescent Pink, Fluorescent Blue, Purple and White.

Spiral
Photogravure and screenprint
6″ x 8″
2015

A white abstract form sits atop a Fluorescent Pink background. The White shape is textured with a tight debossed grid. The pink background has a subtle pattern comprised of small visual bursts

Tattooed
Archival pigment print
36″ x 50″
2015

A white plotter cut shape of an abstracted EKG of a panic attack sits upon a grid of green scribbles on a pink ground

Peepholes
Fused glass with photographic decals, found frames
30″ x 18″
2018

A plotter cut scribble covered with pink and a grid of green scribbles sits on a fluorescent pink background.

Still Group
Fused, screenprinted glass and photograph
34″ x 20″
2023

An abstract shape based on an abstracted EKG of a panic attack and given form. Inside this shape is a fluorescent pink wave pattern.

Still: Hand
Fused, screenprinted glass and photograph
8″ x 6″
2023

A fluorescent pink abstract shape sits atop a background grid pattern comprised of much smaller abstract scribbled marks in a light teal color.

Screenshot

Process image showing glass powder being screenprinted on glass
Glass powder is pushed through a large mesh screen and fused in a kiln

Marked II
Gouache and graphite on yupo
35″ x 23″
2023

Glare
Watercolor and graphite on yupo
35″ x 50″
2023

Student Work

Level 1: Etching

Level 2: Reduction Relief

Level 3: Portfolio Development