Frogman’s Staff Exhibition: Special Edition!

Vee Adams

Bio

Vee Adams is an artist from New Orleans working at the intersection of print, zine, and installation to envision queer futures and possibilities. Adams is currently a co-curator of the Queer Ecology Hanky Project, an ongoing traveling print exhibition with interdisciplinary programming, featuring over one hundred and thirty artists. Adams helped found the New Orleans Community Printshop and organized community-focused printmaking programming there for 7 years. They have shown their work at galleries across the US including—the Ogden Museum of Southern Art (New Orleans, LA),  Brewhouse Gallery (Pittsburgh, PA), and Neon Raspberry Art House (Occidental, CA).  They have done residencies at institutions such as the Joan Mitchell Center (New Orleans, LA), Women’s Studio Workshop (Rosendale, NY), and La Ceiba Gráfica (Veracruz, MX). Adams received their MFA from the University of New Orleans in 2025.

Artist Statement

My work explores the eccentric livelihoods of the more-than-human world—the everyday alchemy of the life cycles of fungi, the radical transformations of  microorganisms, and the resilience of lichens. I am interested as a queer and trans artist in investigating possibilities for 

collective transformation.  What’s possible, when the body is reframed as a landscape—a site of growth and transformation? What shifts, when  communities are reenvisioned as vital multi-species networks?  More than symbols, I hold these fungal and botanical forms as shapeshifting kin and collaborators for envisioning new worlds.

 

Artist:

Vee Adams
Photo of artist Vee Adams

Exhibitions– Frogman’s Staff Exhibition: Special Edition!

A banner in bright greens, with a hand w/mushrooms growing from the fingers and raindrops surrounding it, hangs from a found stick and green chain. A wallpaper installation is behind.

Another World is Possible (Installation at “Collective Drip” MFA Thesis Show at the UNO Gallery St. Claude)
Banner: Screenprinted fabric, sequins, mesh, ruffles, quilting batting, thread, metal hoops. Wallpaper: CMYK screenprint.
Banner: 30”x40”, installation: 13’x20’
2025

Green banners on found branches are mounted in front of a wall paper installation of foliage with panels of the the paper missing to create an irregular white grid

Another World is Possible (Installation at the Ogden Museum of Southern Art, “Louisiana Contemporary”)
Banner: screenprinted fabric, sequins, mesh, ruffles, quilting batting, thread, metal hoops. Wallpaper: CMYK screenprint.
Banner: 30”x40”, installation: 18’x25”
2025

Enormous green printed shaped sculptures evoke moss sitting on dark wallpaper of mold with panels missing to create an irregular white grid. Other "moss" sits on the floor as well.

Another World is Possible (2) – here at the Joan Mitchell Center, but getting installed at the CAC New Orleans this week for White Linen Night exhibition.
CMYK screenprinted paper, wax, brass brads, with screenprinted wallpaper
13’x 24’
2026

Enormous green printed shaped sculptures evoke moss sitting on dark wallpaper of mold with panels missing to create an irregular white grid. Other "moss" sits on the floor as well.

Another World is Possible (2) – here at the Joan Mitchell Center, but getting installed at the CAC New Orleans this week for White Linen Night exhibition.
CMYK screenprinted paper, wax, brass brads, with screenprinted wallpaper
13’ tall x 24’ wide
2026

A disembodied arm with gilded mushrooms emerging from the wrist and a hole showing starry space within the arm. Under is a black puddle evoking space or oil

Slippery Wet of the New: A Wet Hole, A Rotten Log
Aquatint, chine collé, hand marbled paper, gouache, collage, gold leaf, and encaustic, mounted on a wood panel.
12″x 18”
2025