CondemNATION

Curated by Zeinab Saab and Olivia Richardson

Thương Hoài Trần

About the Artist

Thương Hoài Trần was born in Tây Ninh, Vietnam and raised in Emporia, Kansas. As a Vietnamese immigrant, a significant part of their interdisciplinary art practice is informed by their identity. They hold a BFA from Emporia State University and an MFA from the School of Art Institute of Chicago.

Hoài Trần has been a fellowship recipient of the Residency Program at The Studios at MASS MoCA. Their work has been showcased at the Westmoreland Museum of American Art, The Center for Craft, Janet Turner Print Museum, and Artist Image Resource to name a few.

Artist Aaron Coleman

Artist:

Thương Hoài Trần

Exhibition

CondemNATION

Artist Statement

As a Vietnamese immigrant living in the United States, I use art-making as a process for self-discovery, learning, and healing. Beginning from a collection of family photographs, I often engage through techniques of sewing, weaving, and various printmaking methods. My work focuses heavily on the process, time, and labor of making as a means of connecting. These images and processes guide me to connect and pay homage to my cultural and ancestral history—helping me to reconcile the gaps created by barriers experienced by those in diasporic communities such as displacement, loss of language, and generational disconnect.

 

Aaron Coleman's, The Pieta, composed of an American flag made from painted picket fence slats. A pan-African flag hangs from the blue gound and drapes over the lower red stripe slats.

When I was Young

Found books, MDF, acrylic, graphite, and pen, 3’x4’, 2020

Aaron Coleman's Delicate and Filled with Dynamite, a handmade boat constructed from salvaged basketball court flooring is stranded on a sandbags filled with rubber mulch from turf football fields.

When I was Young (detail)

Found books, MDF, acrylic, graphite, and pen, 3’x4’, 2020

 

Specializing in Hope, by Aaron Coleman. A mixed media assemblage made from commercial fencing, salvaged tarps and siding, and gym parachutes.

When I was Young (detail)

Found books, MDF, acrylic, graphite, and pen, 3’x4’, 2020

Get Right with God, by Aaron Coleman. A mixed media assemblage made from commercial fencing, salvaged tarps and siding, and gym parachutes.

The Nguyễns

Letterpress, 11”x18”, 2019

Kill Your Landlord, by Aaron Coleman. A mixed media assemblage made from commercial fencing, salvaged tarps and siding, and gym parachutes.

Made in Vietnam: Who What Wear

Found objects pinned on acrylic and canvas, 16″ x 16″, 2020

Sentinel, The Lookout; by Aaron Coleman. A mixed media assemblage evoking Ghanaian masks, made from fencing, fake turf, and salvaged wood from a neighbor's home lost to gentrification.

Made in Vietnam: Who What Wear (detail)

Found objects pinned on acrylic and canvas, 16″ x 16″, 2020

Sentinel, The Spotter; by Aaron Coleman. A mixed media assemblage evoking Ghanaian masks, made from fencing, fake turf, and salvaged wood from a neighbor's home lost to gentrification.

Grandfather’s American House

Lithograph, screenprint, and iridescent powder, 11” x 14″, 2021

Sentinel, The Guardian; by Aaron Coleman. A mixed media assemblage evoking Ghanaian masks, made from fencing, fake turf, and salvaged wood from a neighbor's home lost to gentrification.

Grandfather’s Album

Lithograph, 11” x 14″, 2020

Sentinel, The Gatekeeper; by Aaron Coleman. A mixed media assemblage evoking Ghanaian masks, made from fencing, fake turf, and salvaged wood from a neighbor's home lost to gentrification.

Between Two Worlds

Lithograph, 10” x 10″, 2021