CondemNATION
Curated by Zeinab Saab and Olivia Richardson
About the Artist
Thương Hoài Trần was born in Tây Ninh, Vietnam and raised in Emporia, Kansas. As a Vietnamese immigrant, a significant part of their interdisciplinary art practice is informed by their identity. They hold a BFA from Emporia State University and an MFA from the School of Art Institute of Chicago.
Hoài Trần has been a fellowship recipient of the Residency Program at The Studios at MASS MoCA. Their work has been showcased at the Westmoreland Museum of American Art, The Center for Craft, Janet Turner Print Museum, and Artist Image Resource to name a few.
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Artist:
Exhibition
CondemNATION
Artist Statement
As a Vietnamese immigrant living in the United States, I use art-making as a process for self-discovery, learning, and healing. Beginning from a collection of family photographs, I often engage through techniques of sewing, weaving, and various printmaking methods. My work focuses heavily on the process, time, and labor of making as a means of connecting. These images and processes guide me to connect and pay homage to my cultural and ancestral history—helping me to reconcile the gaps created by barriers experienced by those in diasporic communities such as displacement, loss of language, and generational disconnect.

When I was Young
Found books, MDF, acrylic, graphite, and pen, 3’x4’, 2020

When I was Young (detail)
Found books, MDF, acrylic, graphite, and pen, 3’x4’, 2020

When I was Young (detail)
Found books, MDF, acrylic, graphite, and pen, 3’x4’, 2020

The Nguyễns
Letterpress, 11”x18”, 2019

Made in Vietnam: Who What Wear
Found objects pinned on acrylic and canvas, 16″ x 16″, 2020

Made in Vietnam: Who What Wear (detail)
Found objects pinned on acrylic and canvas, 16″ x 16″, 2020

Grandfather’s American House
Lithograph, screenprint, and iridescent powder, 11” x 14″, 2021

Grandfather’s Album
Lithograph, 11” x 14″, 2020

Between Two Worlds
Lithograph, 10” x 10″, 2021