¡Diache!: Work by the Juried Open Portfolio Award Winners

Sok Song

About the Artist

Sok is a multimedia artist and educator merging traditional paper folding with printmaking, sculpture, ceramics, painting, textiles, and technology. He is the founder of Creased, Inc. and the author of several origami books, translated into multiple languages. Currently pursuing an MFA at the Yale School of Art, he is a CCAM Fellow, RITM Pedagogy Fellow, Wurtele Gallery Teacher at the Yale University Art Gallery, and 2025 Norfolk School of Art Coordinator. Sok has taught at Yale, CUNY Hunter College, the 92nd St Y, MoMA, and the American Museum of Natural History. He teaches printmaking at Scuola Internazionale di Grafica in Venice and will teach at Penland School of Craft in summer 2026. His residencies include Makerspace NYC, Center for Contemporary Printmaking, VCCA, and Vermont Studio Center. He is a 2025 Fellow at the Henry Moore Foundation.

Artist Statement

My work explores what lingers—ghostly imprints, traces of labor, and the unseen stories folded into everyday materials. Using pressure, graphite, and layered surfaces, I investigate how identity and memory are compressed into form. The fold becomes both a gesture of concealment and revelation—what is hidden in the crease can shift and unfold over time. Graphite captures the residue of touch, pressing history into paper and fabric like a shadow or scar. I’m drawn to what resists visibility: the undocumented, the discarded, the in-between. Through layered processes, I uncover what is quietly inscribed yet rarely acknowledged.

 

Artist:

Sok Song
Photo of artist Sok Song

Social media: @origamsok

Website: soksong.com

Exhibition

¡Diache!: Work by the Juried Open Portfolio Award Winners

This collagraph monoprint of an American army uniform, adorned with patches of both Korean and U.S. flags, serves as a poignant reflection on identity and the visible traces of American influence on South Korea’s history. It also speaks to my own experience growing up as a first-generation, gay Korean immigrant.

Korean or American Army? – Uniform Duality
Graphite transfer pressure print monotype
30” x 22”
2024

This print reveals a layered composition of undergarments—an intimate counterpoint to the visible uniform. Through graphite transfers and pressure printing, the work exposes the concealed labor and vulnerability beneath the surface of military presentation. Referencing the hidden layers of identity, gender, and desire, it reflects the internal contradictions of growing up queer within hypermasculine, militarized environments.

Military Undress: Hidden Between the Folds
Graphite transfer pressure print monotype
30” x 22”
2024

Referencing the Korean baek-il (백일) celebration held 100 days after a boy’s birth, this print explores the cultural weight placed on children to fulfill family hopes and carry on legacy. The image of a ceremonial hanbok and symbolic objects evokes the traditional practice of choosing a child’s future profession—now viewed through the lens of personal anxiety, projection, and intergenerational pressure.

Korean Princess Empowerment
Graphite transfer pressure print monotype
40” x 26″
2024

Rooted in the imagery of traditional Korean hanbok worn by girls, this work reimagines the archetype of the "princess" not as delicate or ornamental, but as powerful. The piece speaks to the social expectations placed on young girls in a patriarchal, male-preferred society, offering a critical yet tender reflection on beauty, duty, and self-determination.

100 Days of Unexpected Expectations
Graphite transfer pressure print monotype
40” x 26″
2024

This sculptural installation uses layers of translucent dry-cleaning plastic imprinted with graphite to create ghostlike forms of uniforms, echoes of militarism, and the residual presence of memory. Referencing the artist’s childhood in a Korean-American dry-cleaning business, the piece intertwines personal history with broader questions of valor, sacrifice, and the overlooked labor behind symbolic cleanliness and national pride.

Imprints of Heroes
Graphite transfer pressure print, metal hangers, transfer paper, fabric, tissue, and dry cleaning plastic
6’ x 8’ x 3’
2025

This print features a miniature doll-sized military uniform suspended in a dreamlike void. Set against a backdrop of ink-stained balloon explosions, it evokes a surreal battlefield where innocence, violence, and nostalgia intermingle. The disembodied figure hovers—caught between weightlessness and detonation, suggesting the emotional dissociation of growing up under the shadow of war.

Floating Soldier
Monotype transfer pressure print
30” x 22”
2025

Using exploded latex balloons as printing plates, this work captures the fragmented aftermath of destruction. Compressed in the darkness of the press, the inflated forms collapse into ruptured shapes—symbolizing the transformation of air into force, breath into violence. The result is a metaphorical topography marked by war, trauma, and loss.

Ruptured Landscapes
Monotype transfer pressure print
30” x 22”
2025

This print captures the invisible yet mounting pressures of war through the use of folded latex balloons as a matrix. As the forms explode under compression, ink is pushed outward—leaving behind magnified traces that resemble impact craters, shrapnel, or bursts. The resulting image becomes a symbolic battlefield, where material rupture echoes psychological fracture. The folds, the pressure, and the stains collectively visualize the unseen force of trauma and its imprint on both body and memory.

Double Rupture
Monotype transfer pressure print
30” x 22”
2025

This work brings together embossed folds, ghostly impressions of latex balloons, and traces of ink transferred through pressure to examine the tension between presence and absence. Through the absence of ink and the imprint of form, the piece suggests a haunting visibility—an image that is both revealed and erased, shaped by trauma and memory.

Double Exposure
Monotype transfer pressure print
30” x 22”
2025

Folded paper cranes—a traditional symbol of peace—are printed in deep Prussian blue using collograph transfer techniques. Their ghostly repetition across the paper becomes a call for pacifism amidst a history marked by militarization. The title, a gentle provocation, reclaims the color of militaristic uniforms to propose an alternative future shaped by tenderness, not force.

Prussian Make Peace Not War
Monotype transfer pressure print
30” x 22”
2025