Exhibitions

Printmakers for Disability Justice

Brett Taylor is a print media artist from South Florida, currently based in Western Massachusetts. He earned a Bachelor of Fine Arts in Drawing from the University of Florida and a Master of Studio Arts in Printmaking from The Ohio State University. 

Taylor’s artistic practice explores the interaction between (dis)abled bodies and the built environment. Using an auto-theoretical approach that combines personal narrative with disability studies and theory, he illustrates the concept that the body exists on a spectrum of ability. Taylor’s work highlights the unfixed and ever-changing nature of the body through collages, assemblages, and installations, demonstrating how bodies shift and adapt to their surroundings. Through artistic, scholarly, and community-based efforts, Taylor advocates for disability justice, critiques systems of ableism, and celebrates the resilience and creativity of disabled individuals and communities. 

Taylor’s  work has been exhibited internationally at venues including Field Projects, Highpoint Center for Printmaking, Amos Eno Gallery, Agitator Gallery, the Eliot Museum, the Haugesund Museum of Art, and Shands Hospitals. With seven years of teaching experience in community and university print shops, Taylor is currently the Visiting Assistant Professor of Art Studio at Mount Holyoke College and serves as the President of the Mid America Print Council.

photo of artist Brett Taylor

Brett Taylor

Social Media: @PTPress

Website: https://www.bretttaylorprints.com/

 

Exhibition Statement

Disability Justice is a movement that challenges ableism by advocating for equality and inclusion of disabled people. This movement considers how disability intersects with systems of oppression like race, gender, class, and sexual orientation. In curating Printmakers for Disability Justice, my goal was to highlight printmakers who identify with disabilities and illustrate how disability impacts everyone,  considering both individual and community lenses; this includes but is not limited to individuals with chronic illness, physical disabilities, neurodivergence, chronic pain, sickness, and other functional impairments.

Printmaking, like many art forms, has historically been shaped by ableist standards, often excluding disabled artists from mainstream institutions. By featuring the work of printmakers with disabilities, this exhibition aims to challenge these norms and amplify the voices of those whose experiences and perspectives are historically overlooked. The work presented here demonstrates how disability is not a limitation, but a powerful lens that shapes unique and innovative artistic practices. This publication serves as a platform for exploring how disability intersects with identity and art, showcasing how disabled artists contribute to a broader cultural dialogue.

Disability is a complex and diverse experience that varies widely from person to person. Many disabled artists’ creative process is informed by their experiences with their body and environment offering new ways to engage with the world. By centering the work of printmakers with disabilities, this publication asks us to reconsider what we understand as “ability” in the context of art. It encourages us to dismantle ableism in creative spaces and recognize disability as an integral part of our cultural landscape. The artists featured here remind us that disability is not a deficit but a source of resilience, creativity, and insight.

Printmakers for Disability Justice is both a celebration and a call to action: to support disabled artists, challenge exclusionary practices, and create more inclusive spaces for artistic expression. When exploring this exhibition, I invite you to view artist works, read their inspiring narratives, and explore the impacts that these artists are making in the studio, community, and beyond!

Graphic Impressions logo

Graphic Impressions is published by SGC International. SGC International is an educational non-profit organization committed to informing our membership about issues and processes concerning original prints, drawings, book arts, and handmade paper.

Graphic Impressions Updates

* indicates required

Submissions

We encourage your submissions to Graphic Impressions. Submission types include:

  • Feature articles
  • Reviews
  • Interviews
  • Studio visits
  • Exhibitions
  • Demonstrations or process-based content