¡Diache!: Work by the Juried Open Portfolio Award Winners

Nicholas H. Ruth

About the Artist

Nicholas H. Ruth is a Professor of Art at Hobart and William Smith Colleges, in New York.  Ruth received a BA from Pomona College, and earned an MFA in Painting from the Meadow’s School of Art at Southern Methodist University.  His work has been included in more than 150 exhibitions nationally and internationally, and is in collections including the Metropolitan Museum of Art, the New York Public Library, the Rockwell Museum, the Memorial Art Gallery, and the Cedar Rapids Museum of Art. 

Artist Statement

Signs are an integral part of how we navigate our experience.  In the realm of semiotics, a sign is the site of representation: one thing standing for others.  And, purposefully conspicuous in their placement, signs mean much more than the text that they carry. 

Awkward and beautiful, the backs of signs are supposed to keep their mouths shut.  But looking at the backs of signs, you can hear all of the weight of hauling and holding the message, and of the resistance in transmission that is the difference between what is meant and what is understood.

 

Artist:

Nicholas H. Ruth
Photo of artist NIcholas Ruth

Social media: @nicholashruth

Website: https://www.nicholashruth.com/

Exhibition

¡Diache!: Work by the Juried Open Portfolio Award Winners

A femme presenting individual with a Bob haircut faces ¾ to the left. They are printed in pink and blue, overlapping to make purple. The two layers are comprised of pink tiny scribbles placed very closely in a grid formation. The person hands are grabbing at their chest and have a far off expression on their face.  A lime green square grid overlaps itself in the background and on top of the person, leaving part of their face and chest exposed. </p>
<p>The print has distorted squares cut out of the paper. There is a bright pink scribble behind the cut out section, and in the upper right corner.<br />

The Way V
Screenprint and colored pencil
30” x 22”
2024

A quadriptych where each piece has its own plotter cut scribble atop a white sheet of BFK. Each shape is taken from previous work and scaled up. Each Mark is comprised of various shades of Fluorescent Pink, Fluorescent Blue, Purple and White.

The Way VII
Screenprint and colored pencil
30” x 22”
2024

A white abstract form sits atop a Fluorescent Pink background. The White shape is textured with a tight debossed grid. The pink background has a subtle pattern comprised of small visual bursts

The Way IX
Screenprint and colored pencil
30” x 22”
2024

A white plotter cut shape of an abstracted EKG of a panic attack sits upon a grid of green scribbles on a pink ground

South Main
Photopolymer gravure
24” x 18”
2024

A plotter cut scribble covered with pink and a grid of green scribbles sits on a fluorescent pink background.

South Main Six
Photopolymer gravure
20” x 13”
2024

An abstract shape based on an abstracted EKG of a panic attack and given form. Inside this shape is a fluorescent pink wave pattern.

South Main Cloverleaf
Photopolymer gravure
20” x 14”
2024

A fluorescent pink abstract shape sits atop a background grid pattern comprised of much smaller abstract scribbled marks in a light teal color.

Signs I
Pochoir, flocking, marker, laser cut board, spray paint
30” x 22”

Signs VI
Pochoir, flocking, marker, laser cut board, spray paint
30” x 22”

Signs VII
Pochoir, flocking, marker, laser cut board, spray paint
30” x 22”

Signs V
Pochoir, flocking, marker, laser cut board, spray paint
30” x 22”