Reflective Looking–Black Printmakers Finding Self and Community Through Print

Curated by Althea Murphy-Price

Mildred Beltré

About the Artist

Mildred Beltré is a multi-disciplinary artist using printmaking, drawing, and installation to explore the intersection of social justice, identity, community and the body. Beltré is the co-founder of the Brooklyn Hi-Art! Machine, an ongoing socially engaged collaborative art project in Crown Heights, Brooklyn. Her work has been exhibited at Morgan Lehman Gallery, NY; The Brooklyn Museum, NY; Zuckerman Museum, GA; De Cordova Museum, MA; Everson Museum, NY; Smackmellon, NY; The International Print Center NY, among others. Selected grants, fellowships, and  residencies include:  Weeksville Heritage Center, NY; Apex Art,NY BRIC, Santa Fe Art Institute, NM; Vermont Studio Center, VT;  Lower East Side Printshop, NY; The Latinx Project, NY and The Metropolitan Museum, NY.

Artist Statement

The prints included here are from a series called Skin in the Game, an open-ended series of figurative works. By using my own image, I make myself vulnerable and implicate myself in the project of representation, and social justice. This series began as a way to think about risk and personal accountability. Through this work I consider the connections between commitment and uncertainty, conviction and doubt. 

 

The other set of images are of the Brooklyn Hi-Art! Machine. BHAM is a collaborative public art project   that explores the possibility of art making as a community-building tool. Co-founded with Oasa DuVerney in 2010, BHAM seeks to create a stronger community by giving people an opportunity to get to know each other. By making art on the street together, members of the community find new ways to relate to each other in public space.

Photo of Alex Younger

Artist:

Mildred Beltré

Exhibition

Reflective Looking–Black Printmakers Finding Self and Community Through Print

146 hand cut aluminum plates, screenprinted with the statements made by each public figure accused of sexual assault or harassment since Harvey Weinstein 96 plates shown displayed, erased through public interaction and maintained through performances to replace erased plates

Maybe Tomorrow

Screenprint and woodcut, 11”x14″, 2017

146 hand cut aluminum plates, screenprinted with the statements made by each public figure accused of sexual assault or harassment since Harvey Weinstein 96 plates shown displayed, erased through public interaction and maintained through performances to replace erased plates

Skin in the Game: Extreme Embarrassment

Digital Print, 50”x38”, 2021

146 hand cut aluminum plates, screenprinted with the statements made by each public figure accused of sexual assault or harassment since Harvey Weinstein 96 plates shown displayed, erased through public interaction and maintained through performances to replace erased plates

Skin in the Game: Double Trouble

Screenprint, 22”x30”, 2016

Screenprint resist on steel with rust patina, text from 1969 DC Circuit Court ruling on the attempted rape of an eleven-year-old girl

Skin in the Game: Power/Protection

Screenprint and Woodcut,  15”x20″, 2021

Screenprint resist on steel with rust patina, text from 1969 DC Circuit Court ruling on the attempted rape of an eleven-year-old girl

Brooklyn Hi Art Machine Stencil Screenprint Workshops

2010-present

 

 Dubbing ourselves the “Official Unofficial Artists in Residence” of our block BHAM sets up tents, tables, and art supplies on the street and invites anyone who lives on our block or happens to walk by to make prints with us.

Screenprint resist on steel with rust patina, text from 1965 New York District Court rape case ruling

Brooklyn Hi Art Machine Stencil Screenprint Workshops

2010-present

Detail of screenprint resist on steel with rust patina, text from 1965 New York District Court rape case ruling

Brooklyn Hi Art Machine Stencil Screenprint Workshops

2010-present

Screenprint resist on steel with rust patina, text of sections on rape from 1985 American Legal Institute Model Penal Code for standardizing state criminal laws

Brooklyn Hi Art Machine Stencil Screenprint Workshops

2010-present

A nearby fence is used both as a place to dry and display prints, creating  space for conversation and play.