Hold the Door: Radical Contemporary Women Printers

Jun Lee

About the Artist

Artist Statement

My work attempts to evoke the different moments of our competitive society; pieces that express the spectrum of competition from hiding away to preparing for a fight. Animals have a competitive instinct to survive, which can seem isolating and solitary. But within their herd, there is companionship and safety with others. I use animals as a metaphor for the desire and fear in life; a rooster symbolizes a winner or a loser, but one that can anticipate the demands of the fight. The roosters are a disguise to hide my own fear along with anticipation to be the last one standing. The ability to be successful is not dependent on the number of triumphs that you have, but rather your willingness to get up and continue the struggle after a defeat.

 

Bio:

Jun Lee (Washington, DC) is a printmaker who uses animals as symbols of the emotions surrounding the competition in our daily lives. Lee was awarded an Arts and Humanities Fellowship and DC Art Bank grant from the D.C. Commission on the Arts and Humanities. She has completed numerous artist residencies and fellowships and her work has been exhibited nationally and internationally including: West Virginia University (WV), Arrowmont School of Arts and Crafts (TN), Pyramid Atlantic Art Center (MD), American University Museum (DC), Highpoint Center for Printmaking (MN), Insa Art Center (Seoul, South Korea), Daimler Financial Services Atrium (Berlin, Germany). Lee received her MFA in Print Media from Cranbrook Academy of Art (MI) and her BFA in Illustration, and a Post Baccalaureate in Printmaking from the Minneapolis College of Art & Design (MN).

 

photo of artist, Jennifer Graves in front of her work

Artist:

Jun Lee

Social media: @junieleelee

Website: junleeprints.com

Exhibition

Hold the Door: Radical Contemporary Women Printers

This collagraph monoprint of an American army uniform, adorned with patches of both Korean and U.S. flags, serves as a poignant reflection on identity and the visible traces of American influence on South Korea’s history. It also speaks to my own experience growing up as a first-generation, gay Korean immigrant.

RISE UP-FREE DC
Reduction woodcut
53″ x 33″
2025

This print reveals a layered composition of undergarments—an intimate counterpoint to the visible uniform. Through graphite transfers and pressure printing, the work exposes the concealed labor and vulnerability beneath the surface of military presentation. Referencing the hidden layers of identity, gender, and desire, it reflects the internal contradictions of growing up queer within hypermasculine, militarized environments.

Remember Your Oath
Reduction woodcut
33″ x 53″
2025

This print features a miniature doll-sized military uniform suspended in a dreamlike void. Set against a backdrop of ink-stained balloon explosions, it evokes a surreal battlefield where innocence, violence, and nostalgia intermingle. The disembodied figure hovers—caught between weightlessness and detonation, suggesting the emotional dissociation of growing up under the shadow of war.

100 Days of Prayer
Reduction woodcut
50″ x 40″
2025

F[L]AME
3 Layer reduction woodcut
24’’ x 18’’
2022

Whisper and Wait
4 Layer reduction woodcut
30” x 43”
2020

This print captures the invisible yet mounting pressures of war through the use of folded latex balloons as a matrix. As the forms explode under compression, ink is pushed outward—leaving behind magnified traces that resemble impact craters, shrapnel, or bursts. The resulting image becomes a symbolic battlefield, where material rupture echoes psychological fracture. The folds, the pressure, and the stains collectively visualize the unseen force of trauma and its imprint on both body and memory.

Breeze Before The Leap
5 Layer reduction woodcut
43” x 30”
2019

The Commander
6 Layer reduction woodcut
43’’ x 30’’
2019

The Challenger
4 Layer reduction woodcut
43’’ x 30’’
2018

The Chief
3 Layer reduction woodcut
43’’ x 30’’
2017

Our Time In The Meadow
Woodcut
41’’ x 30’’
2017

My Sweet Offering
Woodcut
53″ x 42″
2017