Hold the Door: Radical Contemporary Women Printers

Jennifer Graves

About the Artist

Artist Statement

I work within (sometimes outside of) the boundaries of wood and metal type because they demand clarity and open pathways to new stories. Each impression, handset, inked, and pulled, is an act of care and reflection. My practice explores the dialogue between old and new, type and image, color and meaning, seeking harmony that amplifies both message and emotion. At its core, my work is rooted in connection: to encourage, to inspire, and to create spaces of hope and belonging. Through layered color, texture, and form, I invite viewers to slow down, reflect, and become part of a larger community story.

 

Bio:

Jennifer (Jenn) Graves is a letterpress printer, book artist, and educator based in Los Angeles, CA. She works within the tactile traditions of the book arts and print, exploring how materials, process, and form can shape the stories we tell. Her printed works have been exhibited across the U.S. and internationally, often inviting audiences into a quiet conversation between craft and
concept, intimacy and public voice.

She teaches Book Projects at Otis College of Art and Design and leads bookmaking and
letterpress workshops at places like the Printing Museum and through her own studio, SCRAPScollective.

At the heart of her practice is a belief that books are more than objects—they are experiences, carriers of memory, and tools for connection.

photo of artist, Jennifer Graves in front of her work

Artist:

Jennifer Graves

Social media: @jenngraves // @scrapscollective

Exhibition

Hold the Door: Radical Contemporary Women Printers

This collagraph monoprint of an American army uniform, adorned with patches of both Korean and U.S. flags, serves as a poignant reflection on identity and the visible traces of American influence on South Korea’s history. It also speaks to my own experience growing up as a first-generation, gay Korean immigrant.

From There to Here
Collaborative artist book: Flag book structure, letterpress printed
10.5″ x 6.125″ x 1″
2014

This print reveals a layered composition of undergarments—an intimate counterpoint to the visible uniform. Through graphite transfers and pressure printing, the work exposes the concealed labor and vulnerability beneath the surface of military presentation. Referencing the hidden layers of identity, gender, and desire, it reflects the internal contradictions of growing up queer within hypermasculine, militarized environments.

From There to Here
Collaborative artist book: Flag book structure, letterpress printed
10.5″ x 6.125″ x 1″
2014

Referencing the Korean baek-il (백일) celebration held 100 days after a boy’s birth, this print explores the cultural weight placed on children to fulfill family hopes and carry on legacy. The image of a ceremonial hanbok and symbolic objects evokes the traditional practice of choosing a child’s future profession—now viewed through the lens of personal anxiety, projection, and intergenerational pressure.

From There to Here
Collaborative artist book: Flag book structure, letterpress printed
10.5″ x 6.125″ x 1″
2014

Rooted in the imagery of traditional Korean hanbok worn by girls, this work reimagines the archetype of the "princess" not as delicate or ornamental, but as powerful. The piece speaks to the social expectations placed on young girls in a patriarchal, male-preferred society, offering a critical yet tender reflection on beauty, duty, and self-determination.

Humanity Lost
Letterpress broadside
10” x 12”
2024

This sculptural installation uses layers of translucent dry-cleaning plastic imprinted with graphite to create ghostlike forms of uniforms, echoes of militarism, and the residual presence of memory. Referencing the artist’s childhood in a Korean-American dry-cleaning business, the piece intertwines personal history with broader questions of valor, sacrifice, and the overlooked labor behind symbolic cleanliness and national pride.

These Are Our Words
Letterpress poster
18” x 12”
2021

This print features a miniature doll-sized military uniform suspended in a dreamlike void. Set against a backdrop of ink-stained balloon explosions, it evokes a surreal battlefield where innocence, violence, and nostalgia intermingle. The disembodied figure hovers—caught between weightlessness and detonation, suggesting the emotional dissociation of growing up under the shadow of war.

Experiment and Play
Letterpress prints
2025

Impossible, I’m Possible. I Am Possible
Artist Book: Double accordion with pop-outs, letterpress printed
5” x 3.25”, opened 5” x 24”
2023

This print captures the invisible yet mounting pressures of war through the use of folded latex balloons as a matrix. As the forms explode under compression, ink is pushed outward—leaving behind magnified traces that resemble impact craters, shrapnel, or bursts. The resulting image becomes a symbolic battlefield, where material rupture echoes psychological fracture. The folds, the pressure, and the stains collectively visualize the unseen force of trauma and its imprint on both body and memory.

Impossible, I’m Possible. I Am Possible
Artist Book: Double accordion with pop-outs, letterpress printed
5” x 3.25”, opened 5” x 24”
2023

America Broken
Letterpress broadside
17” x 11”
2024

I Can’t Afford to Stop
Letterpress poster
38” x 25”
2024