Hold the Door: Radical Contemporary Women Printers

e bond

About the Artist

Artist Statements

What I love to create is consistently interested in investigating relationality. Whether the final forms are words, monotypes, book forms, or any combination, my work maps the connections between disparate thoughts, shapes, and spaces. While questioning each element separately to uncover new connections, I am discovering not only what is made when two or more entities share a physical space, but also the third space that emerges from this sharing. As someone who loves to work with words and images, my visual interests are closely related to my interests in language structure and meaning. Again, this third space that appears when two words or ideas are placed together. They emerge not only as themselves but as something completely new.

 

statement about the COUNTER collection and prints:

The COUNTER fabric collection highlights the space surrounding and within letterforms: whether open or closed, narrow or wide. In typography, a counter is the area of a letter entirely or partially enclosed by a letterform or symbol. Imagine the ‘hole’ in the middle of a beautiful ‘O’ or the half-circle area at the top of a lowercase ‘e’. This area is not merely emptiness or a negative space; it is blank yet full of potential. COUNTER is part of an ongoing series of fabric studies by e bond that explore language, typography, letterforms, and the written word. The series of letterpress monotypes that inspired the COUNTER fabric collection was created during a two-week residency at the Hamilton Wood Type & Printing Museum in 2024.

 

Photo of artist Sok Song

Artist:

e bond

Social media: @eisroughdraft

Website: https://ebondwork.com/

Exhibition

Hold the Door: Radical Contemporary Women Printers

Bio:

e bond is an artist + designer + writer + bookbinder & educator. Currently she creates art for fabric collections by day, makes handmade books by night, hangs out with trees on weekends and writes something close to poems in the spaces between. Under the studio name roughdrAftbooks, she makes one-of-a-kind artists books, prints and abstract drawings that blur the boundaries of art, craft, printmaking and poetry. e holds a BFA in graphic design and an MFA in Book Art & Poetry. Her work is held in library collections across the US and has been published in numerous publications and books (about books).

This collagraph monoprint of an American army uniform, adorned with patches of both Korean and U.S. flags, serves as a poignant reflection on identity and the visible traces of American influence on South Korea’s history. It also speaks to my own experience growing up as a first-generation, gay Korean immigrant.

Digital compilation of 16 fabric patterns
from the 2025 collection titled COUNTER
All fabric 100% cotton
2025

This print reveals a layered composition of undergarments—an intimate counterpoint to the visible uniform. Through graphite transfers and pressure printing, the work exposes the concealed labor and vulnerability beneath the surface of military presentation. Referencing the hidden layers of identity, gender, and desire, it reflects the internal contradictions of growing up queer within hypermasculine, militarized environments.

Counter 015
Letterpress monotype
12” x 18”
2024

Referencing the Korean baek-il (백일) celebration held 100 days after a boy’s birth, this print explores the cultural weight placed on children to fulfill family hopes and carry on legacy. The image of a ceremonial hanbok and symbolic objects evokes the traditional practice of choosing a child’s future profession—now viewed through the lens of personal anxiety, projection, and intergenerational pressure.

Image of print COUNTER 015 &
fabric that was made from the print
2025

Rooted in the imagery of traditional Korean hanbok worn by girls, this work reimagines the archetype of the "princess" not as delicate or ornamental, but as powerful. The piece speaks to the social expectations placed on young girls in a patriarchal, male-preferred society, offering a critical yet tender reflection on beauty, duty, and self-determination.

Counter 022
Letterpress monotype
12” x 18”
2024

This sculptural installation uses layers of translucent dry-cleaning plastic imprinted with graphite to create ghostlike forms of uniforms, echoes of militarism, and the residual presence of memory. Referencing the artist’s childhood in a Korean-American dry-cleaning business, the piece intertwines personal history with broader questions of valor, sacrifice, and the overlooked labor behind symbolic cleanliness and national pride.

Counter 014
Letterpress monotype
12” x 18”
2024

This print features a miniature doll-sized military uniform suspended in a dreamlike void. Set against a backdrop of ink-stained balloon explosions, it evokes a surreal battlefield where innocence, violence, and nostalgia intermingle. The disembodied figure hovers—caught between weightlessness and detonation, suggesting the emotional dissociation of growing up under the shadow of war.

Counter 016
Letterpress monotype
12” x 18”
2024

Counter 010
Letterpress monotype
12” x 18”
2024

This print captures the invisible yet mounting pressures of war through the use of folded latex balloons as a matrix. As the forms explode under compression, ink is pushed outward—leaving behind magnified traces that resemble impact craters, shrapnel, or bursts. The resulting image becomes a symbolic battlefield, where material rupture echoes psychological fracture. The folds, the pressure, and the stains collectively visualize the unseen force of trauma and its imprint on both body and memory.

Counter 012
Letterpress monotype
12” x 18”
2024

Counter 021
Letterpress monotype
12” x 18”
2024

Image of print COUNTER 021 &
fabric that was made from the print
2025