Curated Exhibition with Yoonmi Nam and Ruben Castillo:

The Soft Edges

Derick Wycherly

About the Artist

Derick Wycherly (Chippewa Cree, Rocky Boy) is a visual artist, educator, fine art printer, and papermaker. Derick earned an MFA from the University of Wisconsin–Madison (2022) and a BFA from the Rhode Island School of Design in Providence, RI (2011). He served as a printer and studio manager for the etching workshop Harlan & Weaver in New York City from 2012 to 2019. Derick is currently the collection manager of the Montana Museum of Art and Culture.

Artist Statement

Rapt Gifts and other selected works credit gift-giving as a traditional technology continued today by Indigenous people. Gift-giving has the potential to relate humans with one another and the land base they occupy. Attached to a gift is a responsibility imparted on the receiver. Gifts continue to multiply and transform as they move between entities. The research includes experiments in drawing, printing, papermaking, and performance.
Pattern is embedded in the natural world, as multiscalar and continuous as the land that supports us, expanding in all directions. Pattern design is an inspiration and organizing principle in drawings that become prints and material for interactive performances. Wrapping objects in patterned paper initiates the scenario of a gift exchange between participants. Relations are formed, extended, and reflected upon as conversations happen while gifts change hands. These ephemeral workshop-like events leave behind objects and images that become documentation. Moments of beauty come unexpectedly from the accidental folds of thoughts packaged with care, unselfconsciously by another maker’s hands, made visible in ink through printmaking processes.

Photo of Derick Wycherly

Artist

Derick Wycherly

Exhibition

The Soft Edges

The artist is covered and bound to a column with 20 yards of screenprinted fabric as part of a performance
Institutional Support
Photo documentation of performance
Serigraph, 20 yds. cotton broadcloth
2021
Various forms are wrapped in patterned paper designed by the artist as part of a performance
Rapt Gifts: Serially
Photo documentation of performance
Inkjet, paper, found objects
2021
Children tear into wrapped packages exposing the artist wrapped inside

Rapt Gifts: Serially
Serigraph, cotton broadcloth
2021

An aquatint etching in blues and cream evokes melting icecaps.

Flooded Foodways
Aquatint etching Hahnemühle warm paper, ed. 12
22″ x 16″
2021

A squash like form is wrapped in patterned paper designed by the artist

Rapt Gifts (Sister)
Unique inkjet on paper, found objects
16″ x 8″ x 8″
2021

Documentation of a performance piece that included wrapping paper designed by the artist protruding from a tall rack with biomorphic holes
Printed Gift Swap
Photo documentation of performance
Wood, inkjet on paper, found objects
2022
Documentation of a performance piece that included wrapping paper designed by the artist protruding from a tall rack with biomorphic holes

Printed Gift Swap
Photo documentation of performance
Wood, Inkjet on paper, found objects
2022

A collagraph composed of remnants of the Rapt Gifts: Serially performance. Assembled by an audience participant, printed by the artist.

Rapt Gifts #5
Collagraph handmade cotton paper, ed. 4
8.5″ x 11″
2021
Documentation of “Rapt Gifts: Serially” performance matrix assembled by audience participant.

A pressure print composed of remnants of the Rapt Gifts: Serially performance. Assembled by an audience participant, printed by the artist.

Rapt Gifts #4
Pressure print on paper
9″ x 12″
2021
Documentation of “Rapt Gifts: Serially” performance matrix assembled by audience participant.

A collagraph composed of remnants of the Rapt Gifts: Serially performance. Assembled by an audience participant, printed by the artist

Rapt Gift #6
Collagraph on handmade paper
11″ x 14″
2022
Documentation of “Rapt Gifts: Serially” performance matrix assembled by audience participant.