Hold the Door: Radical Contemporary Women Printers

Melissa Blount

About the Artist

Artist Statement

I love Black people, I love Black women, and I love being a Black woman. My work interrogates the racist cultural narratives that have long reduced Black women to stereotypes—docile caregivers, sassy sapphires, or angry threats. Drawing from domestic artifacts, the wisdom of Black women scholars, and my training as a psychologist, I approach art as inquiry: what cultural soup have we been marinating in? Utilizing handwork in embroidery and letterpress printing, I reimagine degrading images into truths that honor dignity and complexity. My practice is rooted in community and centered on Black women.

 

Bio:

Melissa Blount is an artist, letterpress printer, writer, and licensed clinical psychologist based in Evanston, Illinois. Her work explores Black womanhood, trauma, and white supremacy in America—often using antique household linens as canvases to reimagine narratives of domesticity and resilience. Through community sewing circles and public actions, she creates spaces where collective reflection and healing take root.

A dedicated activist and cultural organizer, Melissa co-founded MEET (Making Evanston Equitable Together), OPAL (Organization for Positive Action and Leadership), and Artist Book House, working at the intersections of advocacy, politics, and the arts. She is also an experienced clinician and national lecturer on Black health, trauma, and the transformative possibilities of art for healing and community building.

photo of artist, Jennifer Graves in front of her work

Artist:

Melissa Blount

Social media: @beingblount

Exhibition

Hold the Door: Radical Contemporary Women Printers

This collagraph monoprint of an American army uniform, adorned with patches of both Korean and U.S. flags, serves as a poignant reflection on identity and the visible traces of American influence on South Korea’s history. It also speaks to my own experience growing up as a first-generation, gay Korean immigrant.

Bloom
Letterpress on paper
20” x 14″

This print reveals a layered composition of undergarments—an intimate counterpoint to the visible uniform. Through graphite transfers and pressure printing, the work exposes the concealed labor and vulnerability beneath the surface of military presentation. Referencing the hidden layers of identity, gender, and desire, it reflects the internal contradictions of growing up queer within hypermasculine, militarized environments.

Bloom
Letterpress on paper
14” x 20”

This print features a miniature doll-sized military uniform suspended in a dreamlike void. Set against a backdrop of ink-stained balloon explosions, it evokes a surreal battlefield where innocence, violence, and nostalgia intermingle. The disembodied figure hovers—caught between weightlessness and detonation, suggesting the emotional dissociation of growing up under the shadow of war.

Without Community
Letterpress on paper
5” x 7″

F Around & Find Out
Letterpress on paper
40” x 26”

Cross to Bear
Letterpress on paper and cyanotype
10” x 8″

This print captures the invisible yet mounting pressures of war through the use of folded latex balloons as a matrix. As the forms explode under compression, ink is pushed outward—leaving behind magnified traces that resemble impact craters, shrapnel, or bursts. The resulting image becomes a symbolic battlefield, where material rupture echoes psychological fracture. The folds, the pressure, and the stains collectively visualize the unseen force of trauma and its imprint on both body and memory.

Cross to Bear
Letterpress on paper and cyanotype
10” x 8″

Cross to Bear
Letterpress on paper and cyanotype
10” x 8″

Farewell on Pause
Letterpress on paper
20” x 15″

So Hot Menopause
Letterpress on paper
12.5” x 38″

Spring Special Menopause
Letterpress on paper
12.5” x 38″