Wayfinders: Work by the Island Steering Committee

 

Mariceliz Pagán Gómez

About the Artist

Mariceliz Pagán Gómez is an artist and educator from Puerto Rico whose work explores the connection between biological and artistic processes. She works across printmaking, drawing, and paper sculpture to investigate transformation in the body and nature. Mariceliz earned a BA from the University of Puerto Rico, Río Piedras in 2017 and an MFA in Printmaking with a minor in Ceramics from the University of Iowa in 2023. She has exhibited in Puerto Rico, the U.S., Mexico, and Japan and currently she teaches printmaking and papermaking at La Escuela de Artes Plásticas y Diseño and works from her studio in Carolina.

Artist Statement

Influenced by Susanne K. Langer’s idea of growth gradients, I approach art as a process that mirrors organic development: fluid, unfolding, and responsive. In this way, plasticity and transformation are at the core of my creative process, and I explore these concepts through drawing, printmaking, and paper sculpture. I study morphological structures of the body and natural objects, using them as references to later transform them through these mediums. My recent work reflects on the practices of exhibition and preservation of zoological and botanical
specimens from natural history museums and scientific laboratories, and how these can be redefined in an artistic context.

 

Artist:

Mariceliz Pagán Gómez
Photo of Mariceliz Pagan Gomez

Exhibition

Wayfinders: Work by the Island Steering Committee

A complex layered background of textures, butterflies, and falling figures gives way at the center to irregularly shaped panel of crowded lithographic drawing in stark black on a pink tint.

Artificial
Inkjet, stone lithography, screenprint
8.5” x 11″
2025

Textured, cell-like forms fill a composition in pastels and intense magenta & green.

Superficial Ornamentation
Lithograph, screenprint, monotype
20” x 15”
2023

Sea shells in varied colors fill the composition by overlapping each other in translucent layers

Apócrifo
Metal engraving with chine collé
12” x 9”
2023

A crowded composition of largely nonobjective forms in bright colors where they work together to evoke a domicile with figures.

Chelae
Color etching
9” x 12”
2022

A shadow box frame is filled with small handmade items that are at once reminiscent of familiar home objects and extremely alien. Objects are composed of paper, cotton, and foam so they appear organic even when they seem fanciful.

Problematicae
Handmade abaca, cotton folded paper sculptures, waxed thread, wire, hand dyed foam, foam batting, sewing thread, sea shells, painted sea sponge, monotype, insect pins, velvet fabric, handmade poplar frame
20″x24″
2025

A dense composition of textures and biomorphic forms in bright colors. The total image evokes coral reefs.

In sheltered nooks, between coral masses
Inkjet, etching and screenprint
2025

Handmade objects evoking talismans or alien insect specimens sit in a shadow box frame.

Artificios
Folded etching, monotypes and screenprint, insect pins, velvet, poplar frame

An abstract composition of washes and bold lines in reds, greens, and violets.

Trace
Color etching
30” x 22”
2022

Faces emerge from among banners in layers as if at a protest. Everything is composed of busy lines that evoke wind or flame.

Crimson purple, fluid poison
Color etching
11” x 9”
2023

A curled up figure is almost camouflaged among a textured composition in greens and pinks that reads as swampy or moldy.

Fusión
Monotype
20″x15″
2021