Printmakers for Disability Justice

Curated by Brett Taylor

K. MacNeil

About the Artist

K. MacNeil is a qenderqueer artist and curator living in T’karonto (Toronto), Ontario. MacNeil’s work has exhibited internationally in Canada, China, France, and the US. They have completed residencies at Open Studio, Tsinghua University, and the Vermont Studio Center. MacNeil’s research has been supported by the Canada Council for the Arts, the Ontario Arts Council, and the South Carolina Arts Commission. They have received awards from ArtFields, the Contemporary Print, and the Print Center. K. MacNeil is the Assistant Professor of Printing History, Culture, and Practice (Teaching Stream) at St. Michael’s College in the University of Toronto.

Artist Statement

At-home apothecary, or EXTRA STRENGTH + PAIN RELIEF is an interdisciplinary body of work that    examines artifacts in my personal medicine cabinet, studio, and bedside table. These works replicate and probe the various prescriptions, homeopathic remedies, texts, and even clothing used in an effort to find solace and healing. 

At-home apothecary draws from lifelong experiences navigating medical and cultural support systems prevalent in Western society. From paintings of medications to an installation of relief-printed HALLS cough drop wrappers, this work engages experiences of physical ailment, addiction, and mental distress and the various ways these topics are obscured in North American culture.

 

Artist:

K. MacNeil
Photo of artist Kit MacNeil

Social media: 

@kit.macneil

Website: https://knmacneil.com

Exhibition

Printmakers for Disability Justice

A pile of printed thin paper meant to mimic cough drop wrappers starts on a ledge and cascades onto the gallery floor. Text nearby encourages visitors to take one of the wrappers.

I THINK MY COUGH DROPS ARE GASLIGHTING ME
Linocut and letterpress on mulberry. Endless edition.

A closeup of the faux wrappers reveals small passive aggressive messages in blue ink

I THINK MY COUGH DROPS ARE GASLIGHTING ME, detail
Linocut and letterpress on mulberry. Endless edition.

A closeup of the faux wrappers reveals small passive aggressive messages in blue ink

I THINK MY COUGH DROPS ARE GASLIGHTING ME, detail
Linocut and letterpress on mulberry. Endless edition.

A closeup of the faux wrappers reveals small passive aggressive messages in blue ink

I THINK MY COUGH DROPS ARE GASLIGHTING ME, detail
Linocut and letterpress on mulberry. Endless edition.

A painting of a stack of books, many focusing on gender and work

TBR 2020
Acrylic ink on Bristol
18” x 24”

An arrangment of trompe l'oeil images surrounds a small bottle with a Drama Queen label, speaking to the artist's relationship with their largely hidden disability.

at-home apothecary in yellow
Mixed media, acrylic ink on paper and travel-size Dramamine bottle

A painting of a desk sun lamp to treat seasonal affective disorder

Baby it’s S.A.D. outside
Acrylic ink on Bristol
18” x 24”

An arrangement of paintings, the center image depicting a small seed or kernel. Below, text says "…poisoning attempts by girls ages 10 to 12 increased 268 percent from 2010 to 2017."

untitled
Acrylic ink on paper
12” x 12”

A depiction of a hoodie on a hanger with the text "Awful" on the chest.

Gender Dysphoria Hoodie in the Morning
Acrylic ink on Bristol
18” x 24”

A small trompe l'oeil of a pinned note that states: So help me, if I see one more fucking article about the need to be "more resilient…"

untitled
Acrylic ink on paper
5” x 7”