Curated Exhibition with Yoonmi Nam and Ruben Castillo:

The Soft Edges

Henry Gepfer

About the Artist

Henry Gepfer is an artist, educator and curator from Lancaster, PA. They have earned a BSE in Art Education from Millersville University and an MFA in printmaking from Edinboro University, both PA. Gepfer has recently joined the University of Arkansas as an assistant professor in Printmaking. Gepfer’s work has been shown in numerous national exhibitions and they have completed national and international residencies with Zygote Press in Cleveland, OH, the Wassaic Project in Wassaic, NY, and Sparkbox Studio, Picton, Ontario, Canada. In 2022, Gepfer began a collaborative print/performance venture called (no) Fine Print with artist K. MacNeil.

Artist Statement

Three-Person Show is one artist, split into three distinct characters and modes of
making. The works document the embarrassment, shame, failure, violence and vulnerability associated with typical understandings of masculinity. This work was guided by performance and process, reflecting the kind of pageantry that is simultaneously anathema to and foundation of the masculine enterprise.
Validation is a performance in which I issue stamped validation to passersby in an
official capacity apropos of nothing. Sharing vocabulary between the administrative and the personal, I want viewers to consider whether or not validation carries the same weight from all sources.

Photo of Henry Gepfer

Artist

Henry Gepfer

Exhibition

The Soft Edges

Framed photo of the artist and pedestal containing remnants from I'm a Loser performance

I’m a Loser
Gloves, makeup, photo print, mannequin hands, printed fabric, sound
2017

Framed photo of the artist in performance and box containing makeup covered, gloved mannequin hands
Interior of a box with gloved mannequin hands covered in clown makeup.
Photo of the artist seated, head in gloved hands, weeping into the gloves to transfer clown makeup
Photos of the artist in clown makeup and clean faced, with makeup covered handkerchiefs as impressions from the process from removal

Dandelion

Make-up, handkerchiefs, photo prints

2016

Makeup covered handkerchiefs arranged in a 4x4 grid as impressions from the process of removing the makeup
Makeup covered handkerchiefs as impressions from the process of removing the makeup
Photo of the artist in clown makeup
Photo of the artist with residue of clown makeup remaining from the act of removal
A made from repurposed underwear hangs from a rope, suspended in a gallery space

Poor Traits of a Man (An Easy Joke)
Underwear, socks, canvas, grommet, rope
2017

A made from repurposed underwear hangs from a rope, suspended in a gallery space
Repurposed undershirts create a non-objective sculpture that hangs from ropes through three grommets

Self-Flag
Undershirts, canvas, grommets, rope
2016

Detail of a sculpture made from repurposed undershirts
Screenprint of the silent film actor Harold Lloyd including instructions to cut out the face for use as a mask to disguise genuine feelings

It Will Never Not be Like This, Will It?
Video, monitor, screen-prints on paper, scissors, twine,
hole punch
2017
Video shot and edited by Jossua K. Olar. Sound by John MacDonald Jr.

Screenprint of the silent film actor Harold Lloyd cut out by the artist as a performance

It Will Never Not be Like This, Will It?
Video, monitor, screen-prints on paper, scissors, twine,
hole punch
2017
Video shot and edited by Jossua K. Olar. Sound by John MacDonald Jr.

Cyanotype of the artist on muslin

Life is Full of Humor (I Know Because it is Always Laughing at Me)
Cyanotype on muslin, photo
prints, performance
2016

The artist watches as an audience throws darts at balloons attached to a large cyanotype of the artist

Life is Full of Humor (I Know Because it is Always Laughing at Me)
Cyanotype on muslin, photo
prints, performance
2016

The artist, in the persona of actor Harold Lloyd, hosts the performance of darts thrown at a portrait of the artist
A stamper stands next to a stack of business card sized yellow card stock. A single card has the word "validated" printed on it from the stamper.

Validation
Performance with stamper and cards
This piece was performed during the Southern Graphics Council International’s 2022 conference in Madison, WI.

The artist at open portfolio at the SGCI conference, printing "validated" on yellow card stock to distribute to visitors
The artist at open portfolio at the SGCI conference, printing "validated" on yellow card stock to distribute to visitors